Posts Tagged ‘what is copywriting’

Freelance Copywriters on the Internet: How to Tell the Difference Between Heaven-sent and Hack

If you’re hunting for a good freelance copywriter and have never done it before, or if you have but find yourself needing another for the first time in a while, I don’t envy you. This “brave new” e-world has turned your once straightforward search of a neatly stacked file of brochures and introductory letters into a bothersome wade through a mucky world of half-baked online listings and search results which only seem to list those freelance copywriters who are experts in SEO, or at least know what the heck it means (search engine optimization).

You: “I just need a good freelance copywriter to write this product launch brochure who’s not going leave me hanging or make me ask for another round of financing.”

Google: “Results 1-10 of 44,700 for brochure copywriter (0.17 seconds).”

And that’s not even a very popular search term. Yet, with 44,700 doors (or thousands more depending on your search) to choose from, what are the chances you’ll click the one that leads to:

? A freelance copywriter who plays nice with designers and doesn’t charge a first-born child

? A freelance copywriter who knows when and where to offer their expertise on how to communicate a message

? Creative, cliché-free, differentiating, success-enabling copy that is turned in clean and on deadline

It’s probably better than a 1-in-44,700 chance, but you’re still more likely to fall short than be wildly ecstatic about your freelance copywriter decision unless you add a few points of structure to guide you through the online chaos:

1. Look at freelance copywriters further down the list. Unless you’re specifically looking for an SEO copywriter, how high a freelance copywriter or a link to a freelance copywriter ranks in search results is not indicative of how good that copywriter may be. Search engines rank web sites according to formulas of keyword saturation in site copy, meta tags, links and other places. Not how well a freelance copywriter’s work achieved his client’s objectives. Spend some time at this. There is more to the marketing, branding and advertising worlds than the Internet, and there are many worthy and successful freelance copywriters who work in the offline world, but have only a token presence on the Net. Go ahead and look at the top-ranked freelance copywriters, but investigate the others as well. Look at who their clients are, the work they do, the brands they’ve worked on, what their site is like and testimonials from past and current clients. That should give you a good gauge. Or if you like the advertising a specific company do a search for “CompanyX AND copywriter.”

2. If you want quality, steer clear of “bidding” sites. There’s too many of them already, and more seem to be popping up all the time. The online auction is a great concept for your old fishing equipment or clunker on cinder blocks, but not for a good freelance copywriter, designer, photographer or any other “creative service” professional. Sites like Elance.com, Guru.com and their many cousins allow service providers to whore themselves out for projects in a reverse auction where the lowest bid wins. Unfortunately, there really is no winner. The freelance copywriter (or whoever) gets a fraction of the fair market value for their work and the client, unless they’re extremely lucky, will be stuck with a student, green amateur or someone who might not even speak English well-to say nothing about the copy they’ll write.

3. Seek out freelance copywriters with online portfolios. Find freelance copywriters who have some kind of online portfolio. Go through it in detail. Try to get an idea of the communications problem the freelance copywriter had to solve and get a grasp on the talent and thinking that went into creating the finished copy. Then ask yourself, “If I was in the market for something like this, would this make me more interested in learning about this product or want to buy it?” The work of a good copywriter will be obvious.

4. Judge by the work, not the product. You may have a great new product that everyone’s going to want, or an old product that everyone already has, but with a new feature or something. Now, your first instinct in finding someone who’s going to write copy to sell this product is to find someone who, if you’re selling underwater titanium door hinges, has written copy for underwater steel or plastic door hinges. Yes, too many marketers think if a freelance copywriter has only written for X and not Y, that they can’t write for Y. This kind of thinking is misguided. Again, go back to No. 3 and look at the portfolio. Gauge the talent. If they did a great job communicating something about X, you can bet they’ll be able to do the same for Y. A freelance copywriter isn’t defined by the product. He is defined by how he writes about that product.

These guidelines, along with a little “buyer beware” mentality, will help you wield the Internet as the powerful information tool it’s purported to be. You will find a good freelance copywriter.

Adam Barone is a freelance copywriter from the Boston area, who writes results – generating copy for such clients as The Timberland Company, Bank One, TJ Maxx, and other clients and ad agencies.

Visit him at http://www.adambarone.com. Subscribe his e-newsletter, CopyTHINK at adambarone.com/mailinglist/?p=subscribe .

©Adam Barone 2005. All rights reserved.

Reprint rights granted as long as the article is published in its entirety, including links.

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Give Me $1 And Ill Have A Powerful Marketing Weapon

One of my most powerful marketing weapons costs me less than $1. I buy it once and it lasts me a lifetime. I use it over and over again and it never leaves my side. What on earth could it be?

Well, it’s my trusty notebook! It is where I store all of my ideas.

Let me give you some examples. If I come across an email, even if it’s sp*am, and the headline made me open up that email then by golly I will write that headline down in my notebook for future reference.

If the headline made me open the email then you can be sure others will open it as well. So in my trusty notebook I record all the email headlines that have captured my attention.

This way the next time I am writing an email to my list or prospects etc. or if I am stuck for a headline, all I have to do is refer to my notebook which has plenty of headlines to choose from.

But don’t stop there! If you visit a website or read a newspaper etc. and come across a great headline… write it down! Keep doing this and eventually you’ll have pages of headlines to choose from and to test in your marketing campaign.

Don’t copy the headline word for word but rather use it as a reference and change it around to suit your own business. You’ll find that many great headlines are actually recycled.

But don’t stop there! If you are reading ad copy and come across a great word or phrase… write it down!

Again, eventually you’ll have pages of words and phrases to choose from when writing ad copy. It is also useful when you have writers block.

You can just open your trusty notebook and use a line or two and the next thing you know the next paragraph writes itself. These are just a few of the ideas that I store in my trusty little notebook(s).

So get yourself a notebook or two and start storing your ideas. You’ll be surprised at how often you will refer to it.

And if you’re like me, that notebook will never leave your side when you are marketing.

Al Martinovic publishes the Millenium Marketers Newsletter at http://www.milleniummarketers.com and runs a successful home business at http://www.ineedsmokes.com

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Three Steps To Pump Up The Drama In Your Copy

All the world’s a story. Video games have storylines; newspapers report stories; country music lyrics tell a sad tale.

At a quick glance it would appear that fiction writing and copywriting are two mutually exclusive disciplines. But it just isn’t so.

Fiction and copywriting share the same heart: emotion.

What’s the goal for a fiction writer? I mean a slam-bang Harry Potter series type fiction writer? To write best-selling novels.

And what’s the target for a copywriter? To write best-selling controls, of course.

There are three fiction techniques that can pump up the drama in your copy:

  • Imagery
  • Tension
  • Release

Let’s look at them one at a time.

IMAGERY

Imagery is defined as ‘mental images’ or ‘figurative language’. What it does is create pictures in a reader’s head through words.

The best way to get an image across is to find some common ground with the reader. That’s where similes and metaphors help. While some might think that this kind of writing has no business being in direct-mail copy, I’m here to disprove that.

Here’s an example for organic tranquilizer we’ll call Calm-All:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips.

We’ve all, at one time in our lives, probably felt like Becky. And that paragraph gives us a visual image of how she’s feeling. But what about Robin? How about this:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

The addition of 14 words, ‘the ones that were all lined up — just so — like soldiers on a battlefield’, added depth to the scene and gave us a mental picture of Robin without fully describing her. The soldiers on the battlefield simile sets up the tension.

TENSION

Tension can manifest itself in lots of forms. There are tension headaches, tension rods, and tension in fabric. One of the best tools a writer can have is the ability to create tension in a storyline.

Now, this does not have to be the cliffhanger from Dallas — it can and should be more subtle than that.

It could be just a line.

That’s it, right there. The line right above where you are now — a one sentence paragraph — creates tension all by itself simply by disrupting flow. That’s where you want something memorable, disturbing, thoughtful.

How about Becky and Robin? What was the simile about the boxes of paper clips? That they were all lined up — just so — like soldiers on a battlefield.

The tension started in two places in that phrase: ‘just so’ and ’soldiers on a battlefield’.

  • ‘Just so’ — Sure, I could’ve made it longer, explained about distance between the boxes or described how each box end matched the next one perfectly. But that would’ve been too long. “Just so” describes Robin’s anal compulsiveness without being wordy.
  • ‘Soldiers on the battlefield’ — Not only does this visual give you an idea of the kind of precision Robin demands, but the “battlefield” states in one word the atmosphere in that room.

The icing on the tension cake is a line you haven’t seen yet:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

She even wrote on the walls.

Now, by itself, wall writing isn’t that big a deal. After all, you probably did it when you were a kid or during that stint as a graffiti artist in San Francisco.

So what makes it more? The fact that it follows the paragraph where Becky lost it, had a meltdown, when postal. And it makes you wonder just what she wrote. It creates tension because its behavior you don’t expect from a rational adult.

Why?

Because society tells us that when an adult is angry and hurt writing on walls isn’t acceptable. It’s something a child would do and we can’t be seen as having so little control.

Okay, now Becky’s a psychopath because she wrote on some walls. The reader will hold her breath on several levels with different emotions:

  • Whoa! What a psycho = shock
  • Whew! I’d never be like that = relief
  • Wow! Wish I could unleash it all like she did = desire and envy

With 21 words, your direct-mail copy for Calm-All caused your reader want to order to make sure she never reacts like Becky did.

And when she’s held her breath long enough, you let her go.

RELEASE

This is the point in a work of fiction where the writer lets go of the reader’s throat and lets her come up for air. And it’s the thing that keeps readers turning pages whether they are bound in a book or enclosed in an envelope.

Here’s Calm-All’s release:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

She even wrote on the walls.

Hey, it’s okay to make a scene sometimes. It’s all right to get rid of pent-up frustration.

It’s just not your fault.

The last two paragraphs following the tumult of Becky and Robin make the push for Calm-All a slam dunk:

When you’re on your very last nerve, reach for Calm-All.

Just for fun, here’s Becky and Robin as a scene from a novel:

Becky lost it. Did exactly what her parents had warned her never to do:

DO. NOT. MAKE. A. SCENE.

Wisps of dirty blond hair stuck to the sweat on her face. Fury pounded her into the production room, all sense of business decorum lost.

Finding Robin’s things, her tools, Becky decided to destroy them as Robin had destroyed her. First was a wide tipped Magic Marker and next the graffiti on and over Robin’s desk. Robin’s boxes of paper clips ? all lined up just so like soldiers on a battle field — were cast all over the floor. And the stapler, pitched at just the right angle, shattered the glass on the frame of Robin’s Ad Age Award.

The award that was rightfully Becky’s.

The imagery is found in the third paragraph where we can actually see what Becky looks like at the point of explosion. The tension comes in the paragraph after that and the release is the last sentence.

CONCLUSION

Direct-mail copy’s story is told through the needs and desires of a reader for an offered product or service. Elements of fiction — imagery, tension, release — can enhance direct-mail copy and make the sale.

Remember:

Fiction does something To the reader

Copy does something For the reader

About The Author

Victoria B. Rosendahl
Copywriter
P.O. Box 280
Urbanna, VA 23175
804-758-3013–voice
804-758-3107–fax

mailto:rosendahlwrites@yahoo.com

Overnight delivery address: 118 Mill Pond Road, Warner, VA 23175

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5 Rules for Effective Written Sales Communications

Most salespeople have great ideas, but when it comes to putting those ideas on paper for their prospects, they ramble on for pages and quickly lose their readers’ interest. Why do brilliant salespeople often have such a difficult time writing effective sales materials? Quite simply, these professionals haven’t mastered the 5 rules of effective written business communications.

Unfortunately, few salespeople receive formal training on how to write. While they may have taken a few writing courses in college, such courses don’t adequately prepare people for real-world business writing. But with the proliferation of e-mail and sales-oriented web sites, writing skills are of paramount importance in today’s business landscape. In fact, when your written documents get to the point quickly and effectively, you will turn more prospects into clients, thus increasing your bottom line.

Following are the 5 rules of written sales communications that all salespeople need to know. Master them and watch your sales figures soar.

1. Know the specifics of your audience.

Just as you would tailor your message depending on whether it was going to employees versus prospects, you also need to tailor your message to your clients’ demographics. For example, if you’re writing promotional materials for your product or service, and the majority of the people who do business with you are older, well-established professionals, you’ll want to highlight the product or service’s safety features, reliability record, or guarantee. However, if your main clientele were younger Gen Y types, you’d want to emphasize product or service’s trendy image, quick results, or easy to use/understand features.

Do a survey of your most loyal customers to determine which demographic gives you the most business. Also, keep track of those who visit or call your business, even if they don’t buy from you. Really get to know who walks through your doors, find out what’s important to them, and then tailor your message appropriately.

2. Organize your material according to the way your reader thinks about the subject.

Realize that not everyone thinks like you. So just because you want your message to be organized one way does not mean your customers would agree. For example, one company created a free informational booklet about their product and organized it so that the product’s most popular features appeared first. When customers still called with questions that were clearly answered in the text, the company was stumped as to why their customers weren’t reading the booklet. After interviewing some of their customers, the company discovered that their customers found the booklet confusing. They wanted to see the features explained alphabetically, not in order of most popular.

The better you know who your clientele is, the better you can organize your information to meet their needs. Get inside their heads and discover how they think about your product. Do they typically want to know bottom line price first, and then want to know the features and benefits? Do they tend to think testimonials are more important than facts? When you understand how your customers think about your product, you can more easily present your information in a way that’s logical to them.

3. Write to express, not to impress.

The more successful a salesperson is, the more often he or she thinks that big words and long documents impress people. In reality, just the opposite is true. People who try to write with the hopes to impress others with their knowledge only accomplish one thing-they lose the reader!

Examine each marketing piece you write and distill its core message or purpose down to one or two sentence. If you can’t do that, then your piece is not focused. If that’s the case, then go back to each paragraph within the piece and try to condense each down to one or two sentences. String those new sentences together, and then pinpoint your marketing piece’s purposes. That’s the core message you want to express! Rewrite the piece with the core message in mind, using common, everyday language. Remember, true genius is when you can explain your idea in such a way that a five-year-old child can understand it.

4. In messages containing both good and bad news, give the bad news first.

At some point, every salesperson will have to deliver bad news to a customer. Whether a particular feature isn’t available in their favorite product or the customer’s interest rate will be higher than expected, occasional bad news is a fact of life. Whenever you communicate bad news in writing, state it first, and then counter it with a bit of good news.

For example, in a follow-up letter to a prospect you could write, “After checking with our warehouse, I discovered that the Widget 2000 doesn’t come in red. It does, however, come in the larger size you requested and you can have it delivered by Friday.” By ending with the good news, you take the sting off the bad news and leave your reader with a positive image.

5. Write colloquially when appropriate.

People like to read documents that sound as if the message is coming from a real person, not a formally trained Ivy League scholar. If you write too formally, you’ll quickly lose your reader. Have you ever reread your own writing and said, “It sounds all wrong!”? That’s because the tone of your writing was likely wrong. Determining your tone is important, because a follow-up letter should not have the same tone as web copy. Most salespeople try to use an excessively formal tone in all their writing as a way to show their expertise. But realize that excessive formality often comes from a writer who is insecure with his or her authority. By using an overformal tone-complete with many large words, long sentences, and technical terms-the writer attempts to mask his or her insecurities. Most prospects don’t want to do business with someone who is insecure, so keep the tone of your writing colloquial and approachable.

Writing for Profits

The more effectively you write, the more business you’ll gain. So no matter what you’re writing, whether it’s a sales letter or a brochure, always keep the 5 rules for effective written sales communication in mind. Remember, your ability to write clearly and succinctly will make your sales pieces stand out, and will enable you to win the deal.

About the Author:
Dawn Josephson, the Master Writing Coach?, is President and founder of Cameo Publications, LLC, an editorial and publishing services firm located in Hilton Head Island, SC. Dawn empowers leaders to master the printed word for enhanced credibility, positioning, and profits. She is the author of the book Putting It On Paper: The Ground Rules for Creating Promotional Pieces that Sell Books and the co-author (with Lauren Hidden) of the new book Write It Right: The Ground Rules for Self-Editing Like the Pros… Contact her at dawn@cameopublications.com or at 1-866-372-2636.

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Your Article Headlines will Make or Break Your Business

Most people with an online presence will have to regularly deal with the issue of coming up with an appropriate headline. The problem is that most people do not take it seriously enough. Many do not realize that the headline is so important that no matter how good the content is, it will never get read if the headline does not beckon surfers to it.

The power of a headline In the offline world of the tabloid press, one headline can sell a few hundred copies while another in the same publication, can sell several million copies. Online headlines are even more important as quite often somebody will not have an opportunity to leaf through, like they do in a print publication. Quite often, even a summary will not be available and all the prospective reader has to go on, is the headline.

Most of us forget that we are motivated to read almost everything that we read online through the headline. Open any news page and you will only click on the headlines that you find interesting. Even on a page of search engine results, you will tend to go for a lower ranked page with a better headline.

What this clearly means is that every little tiny headline that you place on every small piece of content is important and will have an impact on how often that item gets read. Ultimately every little headline will contribute towards the success or failure of your site.

And what makes things even more difficult is the fact that you will be competing with many other excellent headlines online, most of them the work of professional copy writers working for leading websites.

Come up with your headline when the content is done The most effective way of writing good headlines is to come up with your headline only when you have finished reading the content. Not only is it easier to come up with a much better headline when the content is done, but you also be able to come up with different headlines covering different aspects of the article. You can then decide which is the most attractive aspect of the article to base your headline on.

This has become a harder decision to make in recent times because you have to consider other aspects like keywords with search engines in mind and balance this with the most captivating headline that will result in most people clicking on it to read the contents.

Spend more time on the headline and come up with various options Professional copywriters usually spend much more time on the headline than they do writing they content. It is important to come up with several headlines before you settle on your final choice. It is a good idea to regularly test different headlines for the same articles and see which one attracts the most hits.

About the author: S. Rosendahl is a Technical Executive Writer for Website Source, Inc. http://www.websitesource.com. Her established writing skills coupled with experience in the website hosting industry have provided internet professionals with marketing, product and service ideas for many years.

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How To Find Freelance Jobs – Writing About Food

Did you know that jobs writing about food are available? These opportunities are available in a variety of areas. Employment in these fields is an exciting concept. For many, getting their foot in the door is the most important and most challenging first step. In order to succeed, a wide range of knowledge is needed as well as a good base of experience.

These jobs are available in all sorts of media. The internet is full of postings for good quality writers in a variety of fields. Some in this field write for magazines, newspapers, or even books. Others work right online. There are several avenues a prospective writer can take.

The first step in getting into any of these, though, is getting a good base of knowledge. There are courses that can be taken to give a good base of knowledge for the food aspect of the business. But, for the writing, grammar, and compiling of the articles and pieces, you will need at least a few years of schooling. Writing is the foundation of the work you will do, after all.

To start out in freelance writing though, you need to know how to get experience.

You can take your career to the next level by expanding your knowledge, getting your experience into a portfolio, and presenting yourself to the prospective employers. Try small, local newspapers to start. Or, submit an article to a magazine asking them to review it for consideration. Present yourself to the companies you want to start with, but always keep striving for other levels of opportunity. There are hundreds of companies that are looking for a new, fresh face in writing. You’ll find them throughout the internet posting on message boards and websites. Or, you can contact all of the organizations that you would like to get your start in by sending resumes and samples of your work.

You will enjoy a career with the freelance food writer jobs that you do get. You certainly will love the opportunities that are available!

Visit http://www.FreelanceWritingResource.com for more Articles, Resources, News and Advice about Freelance Writing Jobs.

Copyright © 2005 FreelanceWritingResource.com. All rights reserved. This article may be reprinted in full so long as the resource box and the live links are included intact.

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How to Build Benefits from Features Fast and Easy with the Solution Approach

Every salesperson and fledgling copywriter hears the harangue: DON’T SELL the FEATURES of a product ? SELL the BENEFITS those features bring!!!

The concept’s important but it confuses a lot of people. Many sellers don’t understand how to build a benefit from a feature. Back when I was first learning to write sales copy, I didn’t know how myself. I just knew it was critical I figure it out.

Finally I realized what the problem was. You can’t get there from here. You don’t actually turn a feature into a benefit. You have to approach it from a different point ? the solution approach.

Here’s the full process?

When you’re looking for the benefit, don’t start by focusing on the feature. Instead figure out the problem the feature is supposed to solve. Then, determine what solving that problem could MEAN to the prospect. This payoff ? what the solution means to the prospect – is really all a benefit is.

Here’s an example…

Product: Car

Feature: Cruise Control that automatically maintains a set speed without the constant pressure of your foot on the gas pedal.

One Problem it solves: lets you maintain speed limit without constant attention

What the solution means to the prospect: Maintaining the speed limit means you avoid breaking the law which means you avoid getting a ticket which means you avoid higher insurance premiums. Here’s a benefit headline that naturally flows from the Payoff we found in our example:

Avoid Speeding Tickets and the Higher Insurance Premiums They Cause

Cruise Control solves another problem too: the driver’s leg doesn’t tire from having to maintain a fixed position to keep the accelerator pressed

What the solution means to the prospect: Avoiding the tiredness of a fixed position means you arrive fresher and ready to enjoy your destination which means your companions or family enjoy your company more.

And here’s a benefit-based lead we could write from this solution:

Face it. It’s not much fun for your family when you finally arrive at Disney but you’re grumpier than an old bear with a bad back. After all, you probably feel about the same as if you spent every winter scrunched up in the same position.

It’s not your fault. Driving is naturally tiring when you have to sit in exactly the same position for hundreds of miles at a time. Your gas-pedal foot is frozen, your leg is paralyzed. You can’t help stiffening up and getting achy. WHO WOULDN’T BE GRUMPY?

Good news. You wouldn’t be ? not if you had Easy-Street-O-Matic Cruise Control. Not anymore.

Just imagine. Driving in complete comfort, able to shift in your seat any time to get a more relaxed position. It’s okay to move that leg around. It’s safe!

Now when you reach Disney, you’ll be first to bound out of the car. The kids will have to run to keep up. They won’t believe their new Dad!

(Yes, I know this tongue-in-cheek example is pushing the bounds of credibility slightly. But it makes the point. Find the solution that a feature offers and then figure out what that means to your prospect. There’s your benefit.)

Here’s another example?

Product: Daily Supplement for Men

Feature: Contains naturally occurring nutrients that are not acid-forming like chemically derived nutrients.

Problem it solves: Can be taken on an empty stomach at any time because natural nutrients are self-buffering.

What the solution means to the prospect: You’ll be able to take the supplement whenever it’s convenient for you without worrying about an upset stomach because you haven’t eaten. That means you’ll be more likely to take it regularly which means you’ll get the benefits of greater energy and health. Ultimately that will lead to a longer, healthier life, especially since to be effective against diseases like cancer that take a long time to develop, you must be taking the defensive nutrients over an equally long period.

I’ll leave it to you to build some headlines and leads from this second example. Once you have the benefits, it’s a lot easier.

The next time you need to create sales material, use this Solution Approach to build your benefits. It will go a lot faster once you approach it from the right point.

Ronald A Murphy is a Copywriter and Graphic Designer specializing in Direct Response and Internet Marketing. Murphy writes and designs sales letters, direct mail packages, inserts, web sales pages, direct email, newsletters for marketing, Internet articles, white papers, and other sales focused materials. He provides expertise to clients serving financial, business, technology, health, opportunity and fundraising markets. For more information on copywriting and marketing, visit his site at http://RonaldAMurphy.com

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Hey, Client, This Is Me! Sell With Your Writing Voice

In a crowded market, clients will be seeking personality as they read what you’ve written — they’ll click right past pages that feel “been there, read that.” They’re looking for a voice that says, “Hey, client, this is me!”

They want to know not just what you deliver — but how. Will you be funny or serious? A perky cheerleader or a sardonic commentator? Will your view of life be based on “believe and it happens” or “what you see is what you get?”

Here are some tips to add your own voice to your writing.

1. Write from the heart.

Too excited, passionate or angry to sit still? Best time to connect with your voice. Grab a pencil and scribble ideas as you jump around the room.

2. Say something new.

After forty articles on time management, your readers know about cutting projects into manageable chunks and setting priorities. Ho hum. Try “better than zero” or “turn your life into a time warp.”

3. Tape yourself talking to a good friend about a product.

Do your words sound different when you speak than when you write? Transcribe the tape into an article for easy reading.

4. Picture your ideal client (you do have one, don’t you?). Imagine that she is gushing about your service to a friend — highly recommending you. What words does she use to describe your services? What emotions come through?

5. Cut. Then cut again. When you have to trim your piece to meet a word count requirement, notice that you’re left with the most essential words — all yours.

6. Write fast. Get the words down before your inner critic has a chance to participate. Edit later.

7. Reveal yourself: family, mistakes, secret dreams. When you feel just a bit embarrassed, or feel your private persona has become more public, you’ve probably just touched your audience’s heart.

8. Be concrete — not abstract.

As writing guru Natalie Goldberg would say, “It’s a geranium, not a flower.”

9. If you’ve had voice training, be especially alert to creating the bland and the blah.

Julia Roberts could hold an audience while she reads the telephone directory. Your copy has to stand alone, without dramatic oratory. Exercise 3 may not work for you.

10. Don’t be afraid to break the rules: use slang and contractions. And it’s okay to begin a sentence with “and” or “but.”

Just tread carefully on the rules of grammar and spelling. “Your about to head off for you’re great adventure” can be a credibility-buster.

About The Author

Cathy Goodwin, Ph.D., is an author, speaker, editor, and consultant. She helps clients who want to use writing to sell and sell what they write.

Visit http://www.makewritingpay.com.

cathy@makewritingpay.com

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How to Write Carrot-Wielding Copy!

A significant reason behind websites that fail is the lack of an effective direct response sales message. Such a message is comprised of three elements (it must be):

  • Captivating (it captures the reader’s attention)
  • Riveting (it pulls her into reading further)
  • Engaging (it calls her to act)
  • How can you incorporate those three vital elements? If I were to answer that question adequately it would likely take me an entire book the size of an encyclopedia! But for now, let me give you a succinct explanation.

    First, write to be scanned. On the web, people are fast-paced, click-happy (with an attention span the size of a DNA molecule) and easily bored. The burden of getting visitors to stop what they’re doing and start reading rests entirely upon the headline, the headers and any grabbers – things that help grab people’s attention (e.g., boxes, borders, graphics, etc).

    But once you captured your readers’ attention, the next step is to keep them (and keep them reading). If you know the AIDA formula, you know this is where you need to generate interest. But I go a step further by saying that your job is even more important, here, since you must not only generate interest but also maintain it. And that is a much harder task.

    The debate about long versus short copy can be wearisome for most copywriters, since they must constantly explain to their clients the benefits of using long copy. Even though long copy is statistically proven to outperform short copy, many clients still tell me that longer copy will never be read, and that on the Internet things are short and fast. And then they ask me to trim my drafts down, to which I fervently protest.

    I completely agree that things are short and fast online. But there is a difference between grabbing people’s attention and holding on to it. Keeping readers riveted, hanging on to each and every word with an intense desire to know what’s next, is the goal of any direct response copy. (It sounds the same as reading a story, right? Well, it is.) Plus, why do you think we now include “stickiness” as a measuring stick in analytics?

    Here’s a known fact: prospects who are qualified and genuinely interested in the product or service being offered always want more information about it, not less. If they are not qualified or interested from the outset, no matter how long or short the copy is, they will simply never buy. If they’re not interested or qualified, they won’t read 15 words, much less 1,500 words.

    Shorter copy can lead to three potential outcomes: 1) a lower response ratio due to the lack of information; 2) an incessant need for more data, leading to a barrage of information requests or questions; 3) or a higher number of cancellations, refunds and returns since the product or service turned out to be different than what was initially expected by the client.

    If long copy leads to poor results, it has nothing to do with the length. It has everything to do with the copy. It’s simply too boring. It didn’t elevate the reader’s level of interest, and it failed to keep her reading. Granted, it’s a challenge — and the reason why most online business owners usually opt for short copy, since writing long copy that engages, entices and entertains is very difficult. Yes, I did say “entertain.”

    Good copy, on the other hand, is where the reader hangs onto every word, and becomes more and more excited the further she reads it. You see, long copy is like telling a good story — and copywriters are indeed storytellers. If your copy tells a compelling story, people will read it … All of it.

    When it is written well, long copy can lead to a much greater level of response. Look at it this way: you visit a bookstore and notice a book that seems to entice you. For instance, the cover, the title and the cover copy, such as editorial raves or the author’s biography, pull you into the book. Even the opening chapter is delectable. So, you decide to buy the book.

    The book seems to be inviting, exciting and entertaining, and the story compels you to read every single page, no matter how big the book is. In fact, the book is so good that you either wish it was longer or, once done, are prepared to read it over once more. You just can’t put the book down, even if time is limited, and you’re busy or preoccupied with other things.

    However, as you read it further you become confused, perhaps a little frustrated, and you slowly begin to lose interest. The plot no longer invites you to keep reading. You drift away and find it harder to continue. Ultimately, the storyline fails to keep you excited about the book. So, you stop, close the book and then shelve it. Now, it gathers dust in your library.

    Let me ask you, how many books in your library did you fail to finish reading (or to start reading, for that matter)? Perhaps some. Perhaps many. But the same thing holds true with direct response copy. Long copy works better than short copy. But it only works if it’s interesting, captivating and riveting. Call it “edutainment.” Copy must be educational and entertaining.

    However, in a handful of cases shorter copy is warranted. But the only real way to know for sure is to test, test and test. Claude Hopkins, author of “Scientific Advertising,” wrote an important axiom:

    “Almost any question can be answered cheaply, quickly and finally, by a test campaign. This is the only way to answer them, not by arguments around a table. Go to the court of last resort … The buyers of your product.”

    As one of my mentors, Dan Kennedy, once said in a recent interview:

    “Now, the person who says ‘But I would never read all that copy’ makes the mistake of thinking they are their customer … And they are not. We are never our own customers. (…) There is a thing in copywriting I teach called ‘message-to- market match’. It is this: when your message is matched to a target market that has a high level of interest in it, not only does responsiveness go up but readership goes up, too … The whole issue of interest goes up.”

    The next step is to engage the reader. Again, you’re like an author telling a good story, and your copy must read like one. But like all good stories, the reader must become intimately involved in the plot. They see themselves in the shoes of the characters living out the story. And to do this, you need what I often call “UPWORDS.” It’s an acronym that means: “Universal picture words or relatable, descriptive sentences.”

    First, using “universal picture words” means to use words and mental imagery that help to paint vivid pictures in the mind. Lace your copy with words that engage as many of the senses as possible, and cause your prospects to easily visualize already enjoying the benefits of your offer.

    As for “universal,” it means to use words that appeal to, and can be easily interpreted by, the vast majority of readers. In other words, use words to “encode” your message so that, when they are read, can be decoded in the same way by your reader. Your job is to get the reader not only to read your copy but also to understand it, internalize it and appreciate it.

    Remember this simple yet extremely important rule: “Different words mean different things to different people.” Some words can be interpreted in one way by one reader and in a different way by another. Your job, therefore, is to choose words that cater and universally appeal to the bulk of your readers in order for them to fully appreciate what you’re conveying.

    For example, a challenge among cosmetic surgeons is the fact that prospective patients will call for an estimate over the phone when obviously the doctor needs to see her beforehand. (An initial, in-person assessment is always required, even by law, to see if that patient is a surgical candidate. Giving out an estimate implies that the patient is indeed a good candidate for the surgery when it may not be the case.)

    Here’s the crux of the problem: most patients don’t understand the significance of seeing the doctor in person. Some may feel intimated by doctors or by surgery, while others may simply be in a rush and want to “shop around.” While they may understand the reason, they may not necessarily appreciate the importance because cosmetic surgery is an uncommon process. So, doctors will use analogies, referring to a more common approach such as cosmetic dentistry.

    Unlike surgery, most people have had their teeth done at some point in their lives. So, doctors will say: “Like a dentist, I can not give you an estimate over the phone without any x-rays of your teeth let alone the knowledge of how many cavities you actually have.” People now understand not only the reason but also the importance of seeing the doctor in person in order to obtain an accurate estimate. This applies to every business.

    Business owners often become so intimately involved with their product or business that they tend to forget to look at them from their prospect’s perspective. For example, they tend to use a language that only people in their industry or “on the other side of the fence,” so to speak, can fully appreciate. But that approach can backfire … And often does.

    Therefore, your job is to use analogies, metaphors and comparisons, all in a language to which the prospect can relate. That’s what “relatable, descriptive sentences” mean. Words are not messages in themselves. They are merely symbols. Your choice of words can actually alter the understanding, and particularly the emotional impact, of your message.

    Finally, use action words (i.e., active verbs and not passive ones) that not only compel your readers but also “propel” them into action. Tell them what they must do and take them “by the hand,” in other words. Don’t stick with mere verbs. Use action words that paint vivid pictures in the mind, too. And the more vivid the picture is the more compelling the request will be.

    For example, you’re a financial consultant. Rather than saying something like, “Poor fiscal management may lead to financial woes,” say, “Stop mediocre money management from sucking cash straight out of your wallet!” (People can visualize the action of “sucking” better than they can “leading.”) Instead of, “Let me help you maintain your balance sheet,” say, “Borrow my eyes to help you keep a steady finger on your financial pulse.”

    About the Author

    Michel Fortin is a direct response copywriter, author, speaker and consultant. His specialty are long copy sales letters and websites. Watch him rewrite copy on video each month, and get tips and tested conversion strategies proven to boost response in his membership site at http://TheCopyDoctor.com/ today.

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