Posts Tagged ‘copywriting articles’

Give Me $1 And Ill Have A Powerful Marketing Weapon

One of my most powerful marketing weapons costs me less than $1. I buy it once and it lasts me a lifetime. I use it over and over again and it never leaves my side. What on earth could it be?

Well, it’s my trusty notebook! It is where I store all of my ideas.

Let me give you some examples. If I come across an email, even if it’s sp*am, and the headline made me open up that email then by golly I will write that headline down in my notebook for future reference.

If the headline made me open the email then you can be sure others will open it as well. So in my trusty notebook I record all the email headlines that have captured my attention.

This way the next time I am writing an email to my list or prospects etc. or if I am stuck for a headline, all I have to do is refer to my notebook which has plenty of headlines to choose from.

But don’t stop there! If you visit a website or read a newspaper etc. and come across a great headline… write it down! Keep doing this and eventually you’ll have pages of headlines to choose from and to test in your marketing campaign.

Don’t copy the headline word for word but rather use it as a reference and change it around to suit your own business. You’ll find that many great headlines are actually recycled.

But don’t stop there! If you are reading ad copy and come across a great word or phrase… write it down!

Again, eventually you’ll have pages of words and phrases to choose from when writing ad copy. It is also useful when you have writers block.

You can just open your trusty notebook and use a line or two and the next thing you know the next paragraph writes itself. These are just a few of the ideas that I store in my trusty little notebook(s).

So get yourself a notebook or two and start storing your ideas. You’ll be surprised at how often you will refer to it.

And if you’re like me, that notebook will never leave your side when you are marketing.

Al Martinovic publishes the Millenium Marketers Newsletter at http://www.milleniummarketers.com and runs a successful home business at http://www.ineedsmokes.com

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Freelance Technical Writers – How Much Are You Worth?

Where can you find out about freelance technical writing pay? Is there a place where you can go and find out where you stand? As with any field, pay is determined by several things, not just because you can do the work. Instead, it is about how you work, what type of work you do and how well you work with other people. It is often said that you cannot get experience without experience. That is true when it comes to these jobs as well. But, if you want to know about technical writing pay, then look at the characteristics you possess first.

Here are some basic things to consider about yourself before you go looking for the pay that you believe you should get.

  • How experienced are you? Yes, we mentioned that sometimes it feels that you need experience to get it, but have you had any employment in which your skills were utilized?
  • In your completed work what type of reference do you think your boss would give you? It doesn’t even matter if this is something totally unrelated to your current employment position. Will your boss say that you were a hard worker, dependable, and honest? These qualities go a lot farther in some cases than your resume can.
  • What types of work have you done? Are you willing and able to write in other realms in order to get some experience?

There are many things that will determine the pay that you will receive. In many cases, vacancies are only filled by qualified individuals, but you can change this situation when you present yourself in a qualified manner. When you take a look at yourself to determine your worth, you will have a better understanding of what type of pay you should get.

Visit http://www.FreelanceWritingResource.com for more Articles, Resources, News and Advice about Freelance Writing. Copyright © FreelanceWritingResource.com. All rights reserved. This article may be reprinted in full so long as the resource box and the live links are included intact.

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Three Steps To Pump Up The Drama In Your Copy

All the world’s a story. Video games have storylines; newspapers report stories; country music lyrics tell a sad tale.

At a quick glance it would appear that fiction writing and copywriting are two mutually exclusive disciplines. But it just isn’t so.

Fiction and copywriting share the same heart: emotion.

What’s the goal for a fiction writer? I mean a slam-bang Harry Potter series type fiction writer? To write best-selling novels.

And what’s the target for a copywriter? To write best-selling controls, of course.

There are three fiction techniques that can pump up the drama in your copy:

  • Imagery
  • Tension
  • Release

Let’s look at them one at a time.

IMAGERY

Imagery is defined as ‘mental images’ or ‘figurative language’. What it does is create pictures in a reader’s head through words.

The best way to get an image across is to find some common ground with the reader. That’s where similes and metaphors help. While some might think that this kind of writing has no business being in direct-mail copy, I’m here to disprove that.

Here’s an example for organic tranquilizer we’ll call Calm-All:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips.

We’ve all, at one time in our lives, probably felt like Becky. And that paragraph gives us a visual image of how she’s feeling. But what about Robin? How about this:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

The addition of 14 words, ‘the ones that were all lined up — just so — like soldiers on a battlefield’, added depth to the scene and gave us a mental picture of Robin without fully describing her. The soldiers on the battlefield simile sets up the tension.

TENSION

Tension can manifest itself in lots of forms. There are tension headaches, tension rods, and tension in fabric. One of the best tools a writer can have is the ability to create tension in a storyline.

Now, this does not have to be the cliffhanger from Dallas — it can and should be more subtle than that.

It could be just a line.

That’s it, right there. The line right above where you are now — a one sentence paragraph — creates tension all by itself simply by disrupting flow. That’s where you want something memorable, disturbing, thoughtful.

How about Becky and Robin? What was the simile about the boxes of paper clips? That they were all lined up — just so — like soldiers on a battlefield.

The tension started in two places in that phrase: ‘just so’ and ’soldiers on a battlefield’.

  • ‘Just so’ — Sure, I could’ve made it longer, explained about distance between the boxes or described how each box end matched the next one perfectly. But that would’ve been too long. “Just so” describes Robin’s anal compulsiveness without being wordy.
  • ‘Soldiers on the battlefield’ — Not only does this visual give you an idea of the kind of precision Robin demands, but the “battlefield” states in one word the atmosphere in that room.

The icing on the tension cake is a line you haven’t seen yet:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

She even wrote on the walls.

Now, by itself, wall writing isn’t that big a deal. After all, you probably did it when you were a kid or during that stint as a graffiti artist in San Francisco.

So what makes it more? The fact that it follows the paragraph where Becky lost it, had a meltdown, when postal. And it makes you wonder just what she wrote. It creates tension because its behavior you don’t expect from a rational adult.

Why?

Because society tells us that when an adult is angry and hurt writing on walls isn’t acceptable. It’s something a child would do and we can’t be seen as having so little control.

Okay, now Becky’s a psychopath because she wrote on some walls. The reader will hold her breath on several levels with different emotions:

  • Whoa! What a psycho = shock
  • Whew! I’d never be like that = relief
  • Wow! Wish I could unleash it all like she did = desire and envy

With 21 words, your direct-mail copy for Calm-All caused your reader want to order to make sure she never reacts like Becky did.

And when she’s held her breath long enough, you let her go.

RELEASE

This is the point in a work of fiction where the writer lets go of the reader’s throat and lets her come up for air. And it’s the thing that keeps readers turning pages whether they are bound in a book or enclosed in an envelope.

Here’s Calm-All’s release:

Take Becky: When she learned that Robin had won the award she rightfully deserved, she lost it. Came unglued. Threw Robin’s staplers and boxes of paper clips — the ones that were all lined up — just so — like soldiers on a battlefield.

She even wrote on the walls.

Hey, it’s okay to make a scene sometimes. It’s all right to get rid of pent-up frustration.

It’s just not your fault.

The last two paragraphs following the tumult of Becky and Robin make the push for Calm-All a slam dunk:

When you’re on your very last nerve, reach for Calm-All.

Just for fun, here’s Becky and Robin as a scene from a novel:

Becky lost it. Did exactly what her parents had warned her never to do:

DO. NOT. MAKE. A. SCENE.

Wisps of dirty blond hair stuck to the sweat on her face. Fury pounded her into the production room, all sense of business decorum lost.

Finding Robin’s things, her tools, Becky decided to destroy them as Robin had destroyed her. First was a wide tipped Magic Marker and next the graffiti on and over Robin’s desk. Robin’s boxes of paper clips ? all lined up just so like soldiers on a battle field — were cast all over the floor. And the stapler, pitched at just the right angle, shattered the glass on the frame of Robin’s Ad Age Award.

The award that was rightfully Becky’s.

The imagery is found in the third paragraph where we can actually see what Becky looks like at the point of explosion. The tension comes in the paragraph after that and the release is the last sentence.

CONCLUSION

Direct-mail copy’s story is told through the needs and desires of a reader for an offered product or service. Elements of fiction — imagery, tension, release — can enhance direct-mail copy and make the sale.

Remember:

Fiction does something To the reader

Copy does something For the reader

About The Author

Victoria B. Rosendahl
Copywriter
P.O. Box 280
Urbanna, VA 23175
804-758-3013–voice
804-758-3107–fax

mailto:rosendahlwrites@yahoo.com

Overnight delivery address: 118 Mill Pond Road, Warner, VA 23175

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5 Critical Mistakes Most Freelance Copywriters Make

Think you have what it takes to be a freelance copywriter? I wasn’t so sure I knew when I first started in 1999. All I knew was I desperately wanted to work from home to raise my two sons after my divorce. It took a lot of trial and error to get to the stabile and profitable business I am running now in 2005. There are some things I learned along the way I wish I knew much earlier in the game.

One thing I learned is that writing is a very small part of being a successful freelance copywriter. Don’t get me wrong. You DO need to know how to write. But your success depends largely on your savvy as a businessperson. How do I know? Because I’ve played it from both sides of the street. And I didn’t begin to enjoy success until I started doing some very distinct things in my business.

Please let me share with you some of the mistakes I made starting out so you can avoid those pitfalls yourself?and catapult to success much faster than it took me.

Mistake #1: Don’t attract new clients.

When I first started out in 1999 I had exactly one client. He kept me very busy?for awhile. Then, without warning, he suddenly shifted his business to 100% offline and began using a copywriter with more experience in that area. I floundered for 10 months before I got back on my feet again from that blow.

Solution: NEVER stop marketing yourself. Even if you have a full practice, don’t stop getting the word out. Write articles and press releases. Do interviews whenever possible. Start an ezine and/or a blog so your name is always out there. Don’t get caught flat-footed.

Mistake #2: Don’t effectively manage your clients.

At first I was so grateful to have any clients I let them call all the shots – regardless of what was in my best interest. It took me a long time to realize every client is not a match for me. Sometimes they were unreasonable in deadlines. Other times they would call me at all hours?including 6 a.m. and even on the weekends. (Until I learned to communicate better there were even a few clients I had to fire!) Bottom line is you can never have enough communication.

Solution: Have the client fill out a detailed questionnaire to open up lines of communication. Get a feel for his or her expectations. Add an extra cushion to your deadline. If possible, get a gatekeeper (assistant) to set up schedule so you can focus on what you do best – writing.

Mistake #3: Poor time management.

Eager to please, I often did not give myself enough lead time for an assignment. I’d say, “I’ll do it!” before I looked at the reality of my schedule. So I’d have to pull all nighters or miss important family events. I was incredibly stressed and not a lot of fun to be around.

Solution: Schedule your daily schedule BEFORE you go to bed at night. Turn off email until you’ve made some headway with your copy. And use a kitchen timer to work in increments of 35 minutes (studies show after that frame your mind craves distraction). When the ding goes off, get up, stretch and clear your head.

Mistake #4: Not getting paid enough as a copywriter.

Face it?copywriters do a lot more work than most people realize. We have to deeply research the client’s business, competition and target market. Then we have to write excellent copy that crawls inside the head of the prospect and leads them to a specific action. I didn’t find out until late in the game there is more than one way to structure a deal. I only recently figured out how to get paid on the front end AND the back end for my work. (There is still a ton I need to learn about this which is why I can’t wait for the exclusive Dan Kennedy seminar on the business of copywriting in October!)

Solution: Value yourself enough to get paid what you’re worth. Have an iron-clad contract that protects you.

Mistake #5: Don’t invest in yourself.

I have read the classic “Think and Grow Rich” 14 times. Every time I read it, I learn something new. I go to seminars (even when I’ve heard the speakers before). Because I learn something new every time. I have a huge marketing library of books, binders, home study courses, CDs, DVDs, MP3s and I listen to them over and over. Again, every time I take in material, whether it’s new or old, I learn something new.

Successful people in all walks of life invest in themselves. It’s one of the keys that separates them from the less successful. (Trust me, at times it hurt to part with the massive amounts of cash I’ve laid out for this education. But the payoff happens every time. Just do it.)

Solution: If you’re looking to attract more money into your business, start by investing in yourself. Think LONG TERM. As the old adage says, “If you’re not growing, you’re dying.”

International copywriting trainer, author and speaker, Lorrie Morgan-Ferrero has been a freelance writer and journalist for over 25 years. Her words have made her clients hundreds of thousands of dollars. Now she focuses her vast experience on teaching others the skill of copywriting. Lorrie is the author of a highly acclaimed copywriting course, creator of the Red Hot Copywriting Bootcamp and founder of Copy Campus, a unique membership resource site designed to support copywriters and entrepreneurs on all levels. Visit her site to learn more at http://www.red-hot-copy.com

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Is Your Web Copy Plain Talk?

It’s true, we were all taught in school to express ourselves differently on paper, than the way we speak. To follow rules of grammar, and inject an artificial air of formality.

Forgetting about this training when you write web copy is one of the best thing you can possibly do, unless you’re selling to the academic community. And forgetting about it may not be as easy as you think.

Do you write like you’re speaking to a friend across the table?

Maybe even use a little slang, now & then?

Or do you worry about your high school English teacher committing suicide, if he or she were to ever stumble across your stuff?

If so, do yourself a favor. Get over it.

Marketing Communications should never be about trying to impress. Prospects should never have to think about what the heck you’re trying to say.

So keep your sentences short.

Avoid big words.

Keep plenty of free space around your copy, so it looks easy.

The mind can only really think of one thing at a time. If you want your prospect to concentrate on something, make sure your points don’t require more than a split second to understand.

Look at the below example, taken from an ad for a special day care course for kids. It’s put on by a government agency that promotes apple agriculture in their region.

The point of the text is this. “Bring your kids here, because we’ll teach them something, instead of just baby-sitting them”.

Read the example, and then the revision in plain talk.

————————————————————–

EXAMPLE

This program encourages students to conduct simple investigations of apples. Students experiment, observe, and keep records as they become ‘immersed” in a multi-sensory study of apples. Students will make notes in learning logs as they investigate and discuss the activities. In the learning logs the students simply record what happened during the activities and their reactions to what happened.

Students may later use their notes as the basis for language arts activities, such as writing poems. Writing first serves as a tool for learning and later becomes one of the possible end-products of the lessons.

PLAIN TALK REVISION

Hey Mom and Dad, kids love to learn about apples. They’re naturally curious, and learn best by tasting, smelling, squeezing, rolling, & tossing.

It’s so much fun.

They love sharing the experience with their classmates, and can’t wait to write home about what happened. And the feelings they express in the special diaries we give them are priceless.

You’ll be giving your kids a head start at putting their thoughts down on paper. One of life’s most important skills.

And what better way to get them out of your hair for a while?

————————————————————-

Can you dig the difference?

I do a lot of work in the computer networking field, and often need to read product specs & documentation. And it drives me nuts!

Why is this stuff so full of techno babble, hyperbole, and long-winded bafflegab? Is all of the rocket science talk supposed to impress me into wanting to do something with their gadgetry?

Almost every product or service imaginable has a technical side, and you can never over educate. But it shouldn’t feel like school.

Maybe you think you’re selling a commodity, and there’s not much to the customer’s decision, but price. Think again. There is always a technical differentiator.

One of the greatest skills you can acquire is to be able to boil the froth off complex concepts, so that they become easy to understand.

Customers crave facts, and proof, even logic in order to feel comfortable with their decisions, once you’ve stirred up their emotional desire.

Inject them painlessly with web copy that comes across as “plain talk”!

Copyright 2005 Daniel Levis

Daniel Levis is a top marketing consultant & direct response copywriter based in Toronto Canada. Recently, Daniel & world-renowned publicist & copywriter Joe Vitale teamed up to co author “Million Dollar Online Advertising Strategies ? From The Greatest Letter Writer Of The 20th Century!”, a tribute to the late, great Robert Collier. Let the legendary Robert Collier show you how to write words that sell…Visit the below site & get 3 FREE Chapters! http://www.Advertising-Online-Strategies.com/ad-strategies.html

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Killer Business Headline Templates – So How Do You Write Killer Headlines in Minutes? You Cheat!

According to Branding and Advertising legend, David Ogilvy: 5 times as many people read the headline than they do the body copy in a sales message. This means that unless your headline actually helps sell what you’ve got to offer, you’ll have wasted 90% of your time, money and energy.

Now, you don’t need me to tell you 90% waste isn’t lean! So here are some quick and dirty headline templates that will turbocharge the power of your business cards, websites, sales letter, press releases and spoken presentations! But before we begin – just a few tips to bear in mind…

1. Experience Shows That Simply Surrounding Your Headline With ” ” (quotes) can increase readership by up to 27%. Why? Because when you put it in quotes, people think something important is being said.

2. Use Title Case. ALL CAPS doesn’t get more attention – it’s just harder to read. Sentence case lacks importance so avoid that one too.

3. Tell The Truth. It’s very easy to get carried away writing sensational headlines but make sure you can back up the promise with real results.

4. A Logo Isn’t A Headline. Your logo, snazzy graphics, special effects or even photographs should never take precedence over a good headline. Even if you love your logo – the people who you want to sell to probably couldn’t care less.

5. Test, Test, Test! If a mailing fails to get a response, or people just aren’t responding to the messages on your website it is almost 9 times out of 10 down to a poor headline that someone thought would work, but didn’t check. For a new product/offering, we’ll write several headlines and spend 80 percent of the total writing time perfecting them. Then we’ll do an equally split test mailing to find a winning headline.

Right on to the sneaky templates…

“The Top 10 Reasons _________________________ And What To Do About It”

Examples:

* The Top 10 Reasons People Get Divorced

And What To Do About It

* The Top 10 Reasons 97% Of Businesses Fail

And What To Do About It

* The Top 10 Reasons Why Dreams Don’t Come True

And What To Do About It

“A Simple Solution For __________________________”

Examples:

* A Simple Solution For Nervous Speakers

* A Simple Solution For Frustrated Dieters

* A Simple Solution For Stressed Out Managers

“How __________ Did ______ And How You Could Too”

Examples:

* How A 60 Year Old Farmer Made $1,000 In A Day And How You Could Too

* How I Started My Own 7-Figure Business With Less Than $500 And How You Could Too

* How My 6 Year Old Sister Threw A 20 Stone Man And How You Could Too

“How Doing These ___ Simple Things Can Turn You Into A __________________________”

Examples:

* How Doing These 7 Simple Things Can Turn You Into A Top Earning Salesperson

* How Doing These 3 Simple Things Can Turn You Into A Self Made Millionaire

* How Doing These 5 Simple Things Can Make You Irresistible To The Opposite Sex

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“How To ______________ & Why It Works”

Examples:

* How To Sell Ice Cream To Eskimos & Why It Works

* How To Double The Value Of Your Business In A Week & Why It Works

* How To Speed Up The Sales Process & Why It Works

” ___ Secrets of ______________________”

Examples:

* 7 Secrets of The Internet Millionaires

* 12 Secrets of The Greatest Thinkers Of Our Time

* 6 Secrets of The World’s Greatest Athletes

“Why Doing ________________ Will Lead To ______________ Again and Again”

Examples:

* Why Sacking Bad Clients Will Lead To Improved Productivity Again and Again

* Why Getting Into This One Routine Will Lead To Increased Energy Levels Again and Again

* Why Playing The Blame Game Will Lead To Poor Results Again and Again

What Your ______________ Isn’t Telling You About _________________ That Could ___________________

Examples:

* What Your Financial Advisor Isn’t Telling You About Endowments That Could Leave You Broke & Homeless

* What Your Marketing Consultant Isn’t Telling You About Advertising That Could Be Leaving A Hole In Your Pocket

* What Your Insurance Company Isn’t Telling You About New Regulations That Could Leave You Paying The Price

Try these out and have fun!

‘Dangerous’ Debbie Jenkins
debs@debbiejenkins.com

(c) Copyright 2005 www.BookShaker.com

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I’m wondering if… You Know Other People who should be reading this too? So do us all a favour (they get 2 free books – we get a new subscriber – you get to look good) when you Pass On This link… http://www.leanmarketing.co.uk

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How to Write Carrot-Wielding Copy!

A significant reason behind websites that fail is the lack of an effective direct response sales message. Such a message is comprised of three elements (it must be):

  • Captivating (it captures the reader’s attention)
  • Riveting (it pulls her into reading further)
  • Engaging (it calls her to act)
  • How can you incorporate those three vital elements? If I were to answer that question adequately it would likely take me an entire book the size of an encyclopedia! But for now, let me give you a succinct explanation.

    First, write to be scanned. On the web, people are fast-paced, click-happy (with an attention span the size of a DNA molecule) and easily bored. The burden of getting visitors to stop what they’re doing and start reading rests entirely upon the headline, the headers and any grabbers – things that help grab people’s attention (e.g., boxes, borders, graphics, etc).

    But once you captured your readers’ attention, the next step is to keep them (and keep them reading). If you know the AIDA formula, you know this is where you need to generate interest. But I go a step further by saying that your job is even more important, here, since you must not only generate interest but also maintain it. And that is a much harder task.

    The debate about long versus short copy can be wearisome for most copywriters, since they must constantly explain to their clients the benefits of using long copy. Even though long copy is statistically proven to outperform short copy, many clients still tell me that longer copy will never be read, and that on the Internet things are short and fast. And then they ask me to trim my drafts down, to which I fervently protest.

    I completely agree that things are short and fast online. But there is a difference between grabbing people’s attention and holding on to it. Keeping readers riveted, hanging on to each and every word with an intense desire to know what’s next, is the goal of any direct response copy. (It sounds the same as reading a story, right? Well, it is.) Plus, why do you think we now include “stickiness” as a measuring stick in analytics?

    Here’s a known fact: prospects who are qualified and genuinely interested in the product or service being offered always want more information about it, not less. If they are not qualified or interested from the outset, no matter how long or short the copy is, they will simply never buy. If they’re not interested or qualified, they won’t read 15 words, much less 1,500 words.

    Shorter copy can lead to three potential outcomes: 1) a lower response ratio due to the lack of information; 2) an incessant need for more data, leading to a barrage of information requests or questions; 3) or a higher number of cancellations, refunds and returns since the product or service turned out to be different than what was initially expected by the client.

    If long copy leads to poor results, it has nothing to do with the length. It has everything to do with the copy. It’s simply too boring. It didn’t elevate the reader’s level of interest, and it failed to keep her reading. Granted, it’s a challenge — and the reason why most online business owners usually opt for short copy, since writing long copy that engages, entices and entertains is very difficult. Yes, I did say “entertain.”

    Good copy, on the other hand, is where the reader hangs onto every word, and becomes more and more excited the further she reads it. You see, long copy is like telling a good story — and copywriters are indeed storytellers. If your copy tells a compelling story, people will read it … All of it.

    When it is written well, long copy can lead to a much greater level of response. Look at it this way: you visit a bookstore and notice a book that seems to entice you. For instance, the cover, the title and the cover copy, such as editorial raves or the author’s biography, pull you into the book. Even the opening chapter is delectable. So, you decide to buy the book.

    The book seems to be inviting, exciting and entertaining, and the story compels you to read every single page, no matter how big the book is. In fact, the book is so good that you either wish it was longer or, once done, are prepared to read it over once more. You just can’t put the book down, even if time is limited, and you’re busy or preoccupied with other things.

    However, as you read it further you become confused, perhaps a little frustrated, and you slowly begin to lose interest. The plot no longer invites you to keep reading. You drift away and find it harder to continue. Ultimately, the storyline fails to keep you excited about the book. So, you stop, close the book and then shelve it. Now, it gathers dust in your library.

    Let me ask you, how many books in your library did you fail to finish reading (or to start reading, for that matter)? Perhaps some. Perhaps many. But the same thing holds true with direct response copy. Long copy works better than short copy. But it only works if it’s interesting, captivating and riveting. Call it “edutainment.” Copy must be educational and entertaining.

    However, in a handful of cases shorter copy is warranted. But the only real way to know for sure is to test, test and test. Claude Hopkins, author of “Scientific Advertising,” wrote an important axiom:

    “Almost any question can be answered cheaply, quickly and finally, by a test campaign. This is the only way to answer them, not by arguments around a table. Go to the court of last resort … The buyers of your product.”

    As one of my mentors, Dan Kennedy, once said in a recent interview:

    “Now, the person who says ‘But I would never read all that copy’ makes the mistake of thinking they are their customer … And they are not. We are never our own customers. (…) There is a thing in copywriting I teach called ‘message-to- market match’. It is this: when your message is matched to a target market that has a high level of interest in it, not only does responsiveness go up but readership goes up, too … The whole issue of interest goes up.”

    The next step is to engage the reader. Again, you’re like an author telling a good story, and your copy must read like one. But like all good stories, the reader must become intimately involved in the plot. They see themselves in the shoes of the characters living out the story. And to do this, you need what I often call “UPWORDS.” It’s an acronym that means: “Universal picture words or relatable, descriptive sentences.”

    First, using “universal picture words” means to use words and mental imagery that help to paint vivid pictures in the mind. Lace your copy with words that engage as many of the senses as possible, and cause your prospects to easily visualize already enjoying the benefits of your offer.

    As for “universal,” it means to use words that appeal to, and can be easily interpreted by, the vast majority of readers. In other words, use words to “encode” your message so that, when they are read, can be decoded in the same way by your reader. Your job is to get the reader not only to read your copy but also to understand it, internalize it and appreciate it.

    Remember this simple yet extremely important rule: “Different words mean different things to different people.” Some words can be interpreted in one way by one reader and in a different way by another. Your job, therefore, is to choose words that cater and universally appeal to the bulk of your readers in order for them to fully appreciate what you’re conveying.

    For example, a challenge among cosmetic surgeons is the fact that prospective patients will call for an estimate over the phone when obviously the doctor needs to see her beforehand. (An initial, in-person assessment is always required, even by law, to see if that patient is a surgical candidate. Giving out an estimate implies that the patient is indeed a good candidate for the surgery when it may not be the case.)

    Here’s the crux of the problem: most patients don’t understand the significance of seeing the doctor in person. Some may feel intimated by doctors or by surgery, while others may simply be in a rush and want to “shop around.” While they may understand the reason, they may not necessarily appreciate the importance because cosmetic surgery is an uncommon process. So, doctors will use analogies, referring to a more common approach such as cosmetic dentistry.

    Unlike surgery, most people have had their teeth done at some point in their lives. So, doctors will say: “Like a dentist, I can not give you an estimate over the phone without any x-rays of your teeth let alone the knowledge of how many cavities you actually have.” People now understand not only the reason but also the importance of seeing the doctor in person in order to obtain an accurate estimate. This applies to every business.

    Business owners often become so intimately involved with their product or business that they tend to forget to look at them from their prospect’s perspective. For example, they tend to use a language that only people in their industry or “on the other side of the fence,” so to speak, can fully appreciate. But that approach can backfire … And often does.

    Therefore, your job is to use analogies, metaphors and comparisons, all in a language to which the prospect can relate. That’s what “relatable, descriptive sentences” mean. Words are not messages in themselves. They are merely symbols. Your choice of words can actually alter the understanding, and particularly the emotional impact, of your message.

    Finally, use action words (i.e., active verbs and not passive ones) that not only compel your readers but also “propel” them into action. Tell them what they must do and take them “by the hand,” in other words. Don’t stick with mere verbs. Use action words that paint vivid pictures in the mind, too. And the more vivid the picture is the more compelling the request will be.

    For example, you’re a financial consultant. Rather than saying something like, “Poor fiscal management may lead to financial woes,” say, “Stop mediocre money management from sucking cash straight out of your wallet!” (People can visualize the action of “sucking” better than they can “leading.”) Instead of, “Let me help you maintain your balance sheet,” say, “Borrow my eyes to help you keep a steady finger on your financial pulse.”

    About the Author

    Michel Fortin is a direct response copywriter, author, speaker and consultant. His specialty are long copy sales letters and websites. Watch him rewrite copy on video each month, and get tips and tested conversion strategies proven to boost response in his membership site at http://TheCopyDoctor.com/ today.

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